ON MONDAY at 11:15 P.M., NBC's "Tonight" acquired an exclamation point. It also acquired some new features that rated a /*%/ to go with the !
To replace the civilized fun of Steve Allen and Ernie Kovacs, the network shoveled together a bewildering assortment of stuff culled from “Today,” “Wide Wide World” and “Stork Club.”
Most of these items were repeated, a couple of minutes at a gulp, three or four times during the 105-minute duration of the East Coast telecast. This mineing of material was obviously intended to impress anybody who tuned in, however briefly, with the fact that the show's six newspaper columnist cohosts were widely scattered.
The only trouble is that zero divided by three or four is still zero, and that constant repetition of "Let's go to Hollywood" and "Let's go to Chicago" quickly suggested a better idea: "Let's go to sleep." Despite this inclination, we stayed with it to the last dismaying moment.
WITH Jack Lescoulie watching the store while his newsmen colleagues were digging up stories and Constance Moore along for no perceptible reason except to keep Lescoulie company, the program kept bouncing in and out of New York like a rubber ball attached to a paddle board.
At dull-looking parties in New York, Chicago, Beverly Hills and Topeka, enough names were dropped to stock a suburban telephone book.
Even for television, the small talk was almost unbelievably small. Jayne Mansfield, Zsa Zsa Gabor, Joan Crawford, Roberta Sherwood, Marion Marlowe, Alf Landon and a trio of mayors were among the burblers.
Dean Martin's talk was small, too, but in a different way. Asked to discuss a magazine article by his ex-partner, Jerry Lewis. Martin lashed out with snarling comments like these:
“Everything was full of lies but one thing. He wrote it . . . I could do a write-up on Jerry, but not even ‘Confidential’ would print it . . . Get back together with him? Ha! Not even in the same country! They'll put him away for a while, but he'll get out.”
It was a shocking exhibition of no fun after dark, but it served one devastating purpose. It had the harsh sound of truth, and exposed most of the program’s conversation for the contrived oohing and ahing it was.
THERE were some interesting sequences—robot-manipulators of radioactive materials in action; a California “poker club,” where in effect the gamblers rent the premises; Dr. Karl Meninger opining, in a discussion of don't-give-a-damn pills, “I'm not so sure tranquillity is the aim of life; maybe we need some do-give-a-damn pills.” But these were given relatively short shrift and added up to mighty few nuggets amid all that garbage.
Of the six newspapermen involved, only two—Paul Coates, in Los Angeles, and Irv Kupcinet, in Chicago—displayed any authority before the camera. Hy Gardner, an old hand at local telecasting, looked up from his notes long enough to take exception to Edward G. Robinson's comment, “You're not going Mike Wallace on me.” “I gave Mike Wallace lessons in this,” Gardner said sharply.
The other newsmen participating were Vernon Scott, Earl Wilson and Bob Considine.
"Entertainment" during the 105 minutes consisted of a few pallid gags by George Gobel, a "reading" by Robinson, a song by Miss Sherwood.
Of course, it was a premiere, and so ambitious a project deserves time to iron out the bugs. But “Tonight!”—complete with exclamation point—is as buggy as they come.
At the risk of being repetitious, let’s pass on the opinion of Herald-Tribune syndicate columnist John Crosby, published February 2nd.
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